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    To develop the ethnic groups database where systematized research data are available online and can be made use of by interested parties or individuals, following the subjects or topics of their interests, and thus making it easier for them to sum up the essential points necessary for further in-depth studies. 
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    S'gaw youth at Mowakee Chaingmai
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    S'gaw's proverb
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    Sea as Home of Urak Lawoi, Moken, Moklen

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    Enjoy!

    Computer class of S'gaw students
    Mae La Noi , Maehongson
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    Khaw Rai (Rice)
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    Li Wo, Kanchanaburi
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    Thread

    S'gaw woman at Hin Lad Nai village
    Chaingrai
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    Fermented Beans

    Important ingredient of Tai

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    Phlong(Pwo) woman

    Li Wo village
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    Boon Khaw Mai rite

    Phlong at Li Wo

    Kanchanaburi
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    Little Prince of Tai

    Ordination in Summer of Tai boys
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    Boys are ordained as novice monks
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     Poi Sang Long is the tradition of the Tai. 
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    Be novice monk to learn Buddhism
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    Tai-art  mural painting of  Buddha 
    at Wat Chong Kam Chong Klang
    Maehongson Thailand
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    Wat Chong-Kam, Chong Klang
    Maehongson
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    Hmong childs at Ban Kewkarn
    Chiangrai
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    Smile in problems
    Urak  Lawai at Rawai Phuket
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  Princess Maha Chakri Sirindhorn Anthropology Centre
Ethnic Groups Research Database
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   Record

 
Subject Hmong, musical instrument, Keng, Chiang Mai
Author Wasanchai Im-ot
Title Keng: Hmong musical instrument
Document Type Thesis Original Language of Text Thai
Ethnic Identity Hmong, Language and Linguistic Affiliations Hmong-Mien
Location of
Documents
Sirindhorn Anthropology Center Library Total Pages 171 Year 2000
Source Music Department, Faculty of Graduate Studies, Mahidol University
Abstract

Hmong regard the Keng as the most important musical instrument because they believe that the instrument could communicate with the dead. It is thus used in belief-related rituals. Belief in life after death leads to funeral rites. Belief in protection from evil leads to the buying ritual. Belief in reincarnation leads to the Tjorphli’ ritual. Belief in bad omens leads to sacrificial rituals for the dead. The instrument is used to play music for morning, noon and evening periods. It is forbidden to use it for entertainment purposes and women are forbidden to play it at funerals. However, it can be played for group relaxation and courting, while traveling, and on special occasions. The Hmong regard their Goddess as the guru of Keng. The Keng is an aerophone instrument with a single reed and six keynotes. The six keynotes are similar to the pentatonic keys with one octave difference from the first to the sixth keys. These conventional keys have still been maintained despite players being more familiar with the equal temperament of world music.

Text Analyst Suwit Lertwimonsak Date of Report Mar 23, 2006
TAG Hmong, musical instrument, Keng, Chiang Mai, Translator -
 
 

 

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